It said that all able-bodied men, upon hearing the shouts, were obliged to assist in the pursuit of the criminal. England’s King Edward-I who had signed the Statue of Winchester 1285 introducing “hue and cry” as a law. The Statute said that “anyone, either a constable or a private citizen, who witnessed a crime shall make hue and cry, and that the hue and cry must be kept up against the fleeing criminal from town to town and from county to county, until the felon is apprehended and delivered to the sheriff”. ![]() The ‘hue and cry’ rule simply meant that if a suspect or a criminal was running down the street in front of some bystanders, then each of them had to yell to help the police identify and catch them. The Statute made it a law stating that “if citizens saw a crime, they not only had to report it, but take up a cry to alert the police.” However, in policing terms, the phrase traces its origin to 1285 when England’s King Edward I signed the “Statute of Winchester” to deal with security and peacekeeping on a local level by revamping the existing police system. The phrase ‘hue and cry’ in contemporary terms is often associated with a strong protest or public anger or disapproval on any issue. Inspired by relationships, parenthood, and the political landscape across the U.K., the album saw the brothers updating their classic contemporary pop songs with flourishes of alternative electronics.The ‘hue and cry’ notice on Amritpal Singh issued by Punjab Police. Returning to their own material in 2017, the duo released their 14th studio album, Pocketful of Stones. A collection of Sinatra staples handpicked by the duo and recorded in their own style, the album was released to coincide with what would have been Sinatra's centenary year. Celebrating their love for Frank Sinatra and the influence he had on their career, the brothers recorded and released September Songs in 2015. 2014 saw the release of Remote: Major to Minor, a collection that included their seminal album Remote, as well as a book charting the formative years of the duo, re-imagining of the albums tracks and demos, B-sides, and live tracks from the time. to support the release and also issued the singles collection A's & B's the same year. The pair headed out on tour across the U.K. Three years later, the brothers returned with their 11th studio album Hot Wire. The resulting exposure earned them support slots with Jamie Cullum and Al Green, and in 2008 they released their first studio album in nine years, Open Soul, followed a year later by Xmasday. In 2005, they briefly returned to the mainstream when they lost out to Shakin' Stevens in the final of ITV Popstars comeback contest Hit Me Baby One More Time. Free from their commercial constraints, they released a series of experimental albums throughout the '90s, including a collaboration with composer Richard Niles (1994's Showtime!), the jazz-based Piano & Voice (1995), JazzNotJazz (1996), and 1999's Next Move, which incorporated drum'n'bass, R&B, and Latin funk. Top Ten albums Remote (1988), Bitter Suite (1989), and Stars Crash Down (1991) followed, but by the time of 1992's Truth & Love, released through their own short-lived Fidelity label, their star had started to wane, and after 1993's Best Of, the pair never charted again. After releasing their first single, "Here Comes Everybody," through the small Glasgow label Stampede in 1984, they signed to Virgin Records subsidiary Circa, where they released debut album Seduced and Abandoned, and scored their biggest hit, "Labour of Love," three years later. The duo from Coatbridge, North Lanarkshire decided to start making music together in 1983, when Pat Kane was about to graduate from university and brother Greg was still at school. ![]() ![]() Alongside Wet Wet Wet, Texas, and Deacon Blue, blue-eyed soul pop siblings Hue & Cry were one of the most successful acts to emerge from the Scottish music scene that dominated the charts in the late '80s.
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